Description
THE PROBLEM – TRIMMING FLASH IS A PAIN
Let’s face it; trimming flash is not our favorite part of the hobby. If we’re painters, we can’t wait to get painting! In fact, I bet most of us at one time or another just cut the parts or figures off the sprue, and grabbed our brushes. We soon realized that all that flash was really frustrating to paint – and it REALLY made a difference in the quality of our finished work.
So we busted out the hobby knife and got trimming, only to discover that to do this right took a lot of practice, and a lot of patience. It soon became clear that this was kind of a chore. Maybe we even stayed away from kits with too much flash. Or maybe trimming the flash was even became a barrier to starting another session. (Gasp! The kiss of death for any hobby!)
THE SOLUTION – THE FLASH MASTER
Enter the Flash Master Blade. I spent more time developing this than I care to admit, and if I told you how I did it, I would have to kill you. 😉
The result is a slimmer, flexible blade that gives you much more control of how much flash you remove. Think of the figures that you have encountered with the toughest material to trim. The Flash Master will glide through that flash. It won’t make the job easy, but it will make it EASIER – and the results will be so much better.
THE VALUE – LASTS AT LEAST THREE TIMES LONGER
The Flash Master will hold its edge at least THREE TIMES as long as a traditional blade. For example, if I am trimming flash on some of the harder plastic figures with a traditional blade, I honestly can trim only one or two before the blade has lost the best part of its edge. With the Flash Master Blade, I have trimmed at least SIX of these same figures before having to swap out the blade.
THE NEW TOOL IN THE TOOL KIT – YOU KNOW YOU WANT TO TRY IT
You ask, “So, should I throw out my old hobby blades?” No! Think of these blades like another tool in your tool kit. Did you throw out your #1 brush, once you discovered the #000 brush? It’s just a different tool for a different job. I now keep a traditional blade and a Flash Master blade handy when I’m working – and I transition back and forth. Sometimes the rigid traditional blade is better at tasks where I need to scrape a little – or chop a big chunk away. But when I get to some of the most important and delicate spots, (like when there is flash across a figure’s face, or an important part of the uniform,) the Flash Master is the only way to go!
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